Seilertracks Part 2
by Yannick Labbé
Nic Brown
Nic Brown
The second instalment of Yannick Labbe's excellent "Seilertracks" series is, in my far from humble opinion, even better than the first; moreover, unless my critical faculties are failing me, Kris Davis's remix of the amiably crepuscular "Always Look In Front" is a bona fide deep tech classic. If this exponential increase in quality continues Yannick will be ruler of the known universe come "Seilertracks Part 10".
Favorite track: Always Look In Front (Kris Davis Remix).
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1. |
Always Look In Front
06:39
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2. |
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3. |
Resonate
08:02
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4. |
El Color Pasa
07:39
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about
The second instalment of Yannick Labbé's 'Seilertracks' - a heady brew of hypnotic house with a
daring, experimental edge - maintains the high standards set by its outstanding predecessor.
'Always Look In Front' sets the mood: a subaquatic concoction that slowly rises from the waters with
narcotic swirls of circling synths and echoing vocals. It's a perfect soundtrack for the morning after a late night and a defiant statement of forward-looking intent.
Kris Davis's moody, jacking treatment harnesses this base material for the dancefloor, adding a pounding kick, booming analogue pulses and heavy subs.
Meanwhile, the dark, discombobulating 'Resonate' showcases Labbé's imaginative spirit as low sustained bass drones contrast with bright, discordant woodwind pings and flourishes.
Last up, 'El Color Pasa' sends music box chimes skittering across deep bass before a stirring climax of acidic repetitions.
daring, experimental edge - maintains the high standards set by its outstanding predecessor.
'Always Look In Front' sets the mood: a subaquatic concoction that slowly rises from the waters with
narcotic swirls of circling synths and echoing vocals. It's a perfect soundtrack for the morning after a late night and a defiant statement of forward-looking intent.
Kris Davis's moody, jacking treatment harnesses this base material for the dancefloor, adding a pounding kick, booming analogue pulses and heavy subs.
Meanwhile, the dark, discombobulating 'Resonate' showcases Labbé's imaginative spirit as low sustained bass drones contrast with bright, discordant woodwind pings and flourishes.
Last up, 'El Color Pasa' sends music box chimes skittering across deep bass before a stirring climax of acidic repetitions.
credits
released June 15, 2015
license
all rights reserved
tags
about
hfn music Hamburg, Germany
hfn ['ha:fən] (harbour)
The independent music label works from 'harbour city' Hamburg (Germany). Harbours
are open doors to the world, and so is hfn, and to all spectrums of music. hfn music is home to sublabels hafendisko and Anders Trentemøller's label In My Room.
... more
discography
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